Romantic and Costumbrista Collection
This exhibition brings together the Cajasur Foundation, the Institute for Culture and Arts of Seville (ICAS), and Autismo Sevilla to show Sevillians and visitors a different way of accessing culture, taking into account the diversity of all people.
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Hand Program
Field I - Romantic painting in Seville
Field I - Romantic painting in Seville
Room 1Room 2Room 3Room 4
Field II - Sevillian painters in Rome and Paris
Field II - Sevillian painters in Rome and Paris
Room 5Room 6Room 7
Field III - Costumbrismo
Field III - Costumbrismo
Room 8
Field IV - Religious art
Field IV - Religious art
Room 9Room 10
Field V - The landscape in the Sevillian School
Field V - The landscape in the Sevillian School
Room 11Room 12
Field VI - Sculptures
Field VI - Sculptures
Room 13
ROOM 1
ROOM 1

Romantic painting in Seville (1830-1860)
Travelling foreign painters
ROOM 2
ROOM 2

Romantic painting in Seville (1830-1860)
Romantic Costumbrismo
ROOM 3
ROOM 3

Romantic painting in Seville (1830-1860)
The Romantic landscape
ROOM 4
ROOM 4

Romantic painting in Seville (1830-1860)
Sevillian academic painters
ROOM 5.jpg&w=1920&q=75)
ROOM 5
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Sevillian painters in Rome and Paris (1870-1895)
García Ramos
ROOM 6.jpg&w=1920&q=75)
ROOM 6
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Sevillian painters in Rome and Paris (1870-1895)
The Jiménez Aranda saga
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ROOM 7
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Sevillian painters in Rome and Paris (1870-1895)
Casacón painting (1870-1885)
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ROOM 8
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The continuity of Costumbrismo
The persistence of Costumbrismo (1870-1900
ROOM 9
ROOM 9

Religious art
Religious sculpture and painting
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ROOM 10
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Religious art
Devotional sculpture
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ROOM 11
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Landscape in Sevillian schools
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ROOM 12
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Landscape in Sevillian schools
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ROOM 13
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Sculpture